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It is almost as if they'd targeted cheap hit video as a priority, which they undoubtedly have to consider anyway. The sound was great, even on those atrocious Continental head clamps, and it looked good too, but it belonged on television not the silver screen especially as the blood, flesh and special effects count was peculiarly low.
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I expect a little more from a so- called blockbuster on this sort of budget. My objection is less to the unconvincing and uninvolving story line, which is dressed in the merest tissue of making a political statement, it is the packaging. If you think this film is luke warm on first sight it is doubly so on the repeated screening. A transatlantic crossing courtesy of dreadful Continental Airlines treated me to top billing in -seat entertainment of Double Jeopardy (Paramount Films) not just on the way out, but with masterful foresight on the return too.
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The last is by far the hardest to agree with and while its output has always been peppered with catastrophic failures and examples of style over content, Hollywood is now exhibiting all the signs of an industry short of good ideas for its throughput requirement. Oh, and Hollywood will always put on a spectacle worth watching.
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What you are looking for is always at the bottom of the pile the suspect patch -lead always falls easiest to hand precious objects always bounce and roll when dropped an unmuted phone will always ring in the quiet bit and synchronisation problems always materialise when someone else is watching.
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